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Satisfaction Guaranteed – The Very Best of Teddy Pendergrass

The Definitive Drifters

The Best of Summer 2003

The Very Best of George Benson – The Greatest Hits of all

Satisfaction Guaranteed – The Very Best of Teddy Pendergrass WSMCD 166

For a mainstream highly commercial CD this is mega, top notch.  Oozing pure soul from start to finish.  Teddy is always in the top 10 vocalists on any soul fan, anywhere in the world. A Philly genius starting with his Harold Melvin and the Blue Notes material- if you don’t know me be now is an absolute tearjerking classic.  It’s a shame that the other HM & BN’s slower material is excepted in favour of the more popular disco material.  But even on the more uptempo material the voice is distinguished, unique and powerful.

For me the ballads are the best, they are so strong, for sure a Quiet Storm – The whole towns laughing at me, Come Go with Me, Let me be closer, In my time, You’re my latest.

Includes duets with Whitney and Stephanie Mills. More latterly after recovery a fine beat ballad in Joy.  His vocal prowess remained intact with a fine set in 1990 with tracks like She knocks me off my feet.

The Gamble Huff Philadelphia International tracks are the tops for me but the best track – the one that has everything, style, vocal, Philly production is Close the Door.

32 tracks of pure magic and who knows how big this guy could have been had it not been for such tragic circumstances – Satisfaction Guaranteed.

The Very Best of George Benson – The Greatest Hits of All – WSM 8122736932

"A collection of the living legend George benson's greatest songs – released 30 June 2003 – a 20 track compilation featuring all his greatest hits. In a career spanning 40 years the eight time Grammy winner has sported a variety of musical styles from jazz guitarist to R&B/Pop superstar but best known as the guitar playingvocalist responsible for his hits"

I don't know what it is but those unforgettable opening bars of Give me the Night just evoke happiness. Happiness of a great song, or the memories of the time, or memories of buying it first time on 12". A superb and probably the best track of it's kind on the album. It's got the beat of the day, yet it has got and is unmistakenly George Benson, an underrated singer up to this point but also has room for his style of jazz guitar, which is where george came from.

Turn your love though marginally stands the test of time and it is easily the sort of track that could still be played out now. Conversely Never give up on a good thing is more out and out disco and the type of track that would get plays at a retro night.

Love x love also has the Rod Temperton hallmark stamped on it (like Give me the night) but has the guitar a bit more up front, but a super catchy chorus and haunting backing vocals.

I tended not to like the out and out ballads so much despite George having a good voice, but sales for tracks like Nothing's Gonna Change My Love for You, In your eyes and The Greatest Love of All prove me wrong, and thinking back these were tracks that had very broad universal appeal. All of these tracks were written (in part) by Michael Masser. For me a better ballad was Lady Love Me (One more time) but it went into another level with his collaboration with Narada Michael Walden on Kisses in the Moonlight.

I was more at home with the jazzier vibe and fortunately George didn't desert his roots, he used his popularity to enable his material to include his distinctive stylings. Tracks like Feel like Making Love, This Masquerade, Being with you and particularly Breezin'.

George also was partial to a duet and tracks included here are with Roberta Flack (You are the love of my life), Aretha Franklin(the great Sam Dees song Love all the Hurt Away) and Patti Austin (Moody's Mood).

Nature Boy is a classic, a bit funkier (but not particularly upbeat) with Phil Upchurch and George on guitars and ralph McDonald on percussion, how could it not be! Love ballad is a bit more uptempo and is a great track, retaining a percussive beat (again Ralph McDonald) and what a guitar line up Phil Upchurch again but this time Earl Klugh as well. Lots of the typical GB skat too.

Mora Narada production on the track Shiver from While the City Sleeps and closing on what has become a trademark sound, this time a live version, On Broadway.

 

Track Listings

1. Give Me The Night
2. Turn Your Love Around
3. Never Give Up On A Good Thing
4. Love X Love
5. Nothing’s Gonna Change My Love For You
6. The Greatest Love Of All
7. Feel Like Making Love
8. Breezin’
9. This Masquerade
10. In Your Eyes

11. You Are The Love Of My Life
12. Lady Love Me (One More Time)
13. Kisses In The Moonlight
14. Love All The Hurt Away – With Aretha Franklin
15. Being With You
16. Moddy’s Mood
17. Nature Boy
18. Love Ballad
19. Shiver
20. On Broadway

 

 

 


The Definitive Drifters- Warners - WSMCD137

"58 Track definitive collection of The Drifter's highlights the groups 25 years of almost unbroken chart success, featuring all their top 10 hits." "This isn't just the portrait of a legendary group, featuring a galaxy of star performers, writers and producers, who all contributed to make the name of the Drifters into a trademark of quality and soul" – Peter Doggett Editor of Record Collector

A beautifully packaged showcase of a huge amount of Drifters material. Of course all the well known pop soul hits are here, and I would urge you to listen to some of them again, as they really are good. Possibly overplayed and some are a bit too commercial but they ceratainly were groundbreaking.

The album kicks of way back in 1953 with the awesome and great Clyde McPhatter, in a Boogie Woogie fledgling rock'n'roll style, Clyde is distinctive but less prominent on these uptempo offerings. However, the killer cuts are the easy doowop and gut wrenchingly soulful ballads like The Way I Feel. It was these tracks that enabled Clyde to obtain such a great reputation. A subtle change in early 1954 when Clyde McPhatter and the Drifters became the Drifters featuring Clyde McPhatter. The change was less subtle in style as the group became more prominent and the material more commercial, they were starting to crossover.

By 1955 it was The Drifters, Clyde ha d been called up and Johnny Moore came in, the sound was smoother but nonetheless distinctive and commercial success beckoned, hitting the R'n'B charts big first wwith Adorable and Ruby Baby before starting to crossover Fools Fall in Love.

Then Johnny was called up but the momentum was maintained with Drip Drop before a major change took pace and a whole new era, the Benny Nelson era, of course, Ben E King.

'There goes my baby' was the result, and as I said above, listen to this again. Wonderful deep soulful vocal, complete with string arrangement. Pop superstardom beckoned. Hits followed culminating in the pop number 1 Save the last dance for me. But King only remained for one hit after that before embarking on a solo careerin 1960.

Rudy Lewis was recruited and the next period showed a move away from Doowop to Uptown big production emerging Soul, with full productions and highly at the commercial end of the spectrum. Hits followed after hit, some like Some kind of Wonderful stay true but others simply become commercial pap (to a purist like me!), like Sweets for my sweet. But popular they were and enduringly popular they are, Up on the Roof, On Broadway and so on will be known to everyone. Big name writers were used, Goffin King, Bacharach David but principally Leiber and Stoller who moved on in late 1963. A great track included here is a minor hit If you don't come back.

In May 1964 Rudy Lewis tragically died and the following day they recorded the wonderful Under the Boardwalk and I don't want to go on without you. Johnny Moore returned and the hits continuedSaturday Night, At the club, Come on over to my place. All the major hits are included here and some of the lesser ones to. You shouls remeember that in these days there were far more releases by a group per year than you see these days.

Another moderate hit with great clean and crisp horns is I'll take you where the music is playing. The next cut Up in the streets af Harlem failed to chart in either R'nB or pop (1966) and there were no more US hits although they stayed with Atlantic for a few more years.

This package recommences in 1973 when there was a reemergence, particularly in the UK of Drifters and some new tracks were cut and some more hits came, they were very much retro in style and similar in style to their major hits with a pop edge.

Track Listings
Disc: 1

1. Money Honey
2. Let The Boogie Woogie Roll
3. The Way I Feel
4. Lucille
5. Such A Night
6. Honey Love
7. Bip Bam
8. White Christmas
9. Adorable
10. Ruby Baby
11. Fools Fall In Love
12. Drip Drop
13. There Goes My Baby
14. Dance With Me
15. This Magic Moment

16. If You Cry
17. Baltimore
18. Lonely Wind
19. Save The Last Dance For Me
20. I Count The Tears
21. Some Kind Of Wonderful
22. Please Stay
23. Sweets For My Sweets
24. Room Full Of Tears
25. When My Little Girl Is Smiling
26. Mexican Divorce
27. Strangers On The Shore
28. Up On The Roof
29. On Broadway
30. Let The Music Play

Disc: 2

1. Only In America
2. Feel Good All Over
3. Rat Race
4. If You Don’t Come Back
5. I’ll Take You Home
6. Land Of Make Believe
7. Didn’t It
8. One Way Love
9. Under The Boardwalk
10. I Don’t Want To Go On
11. I’ve Got Sand In My Shoes
12. He’s Just A Playboy
13. Saturday Night At The Movies
14. At The Club

15. Come On Over
16. I’ll Take You Where
17. Up In The Streets Of Harlem
18. Memories Are Made Of This
19. Like Sister & Brother
20. Kissin’ In The Back Row
21. Down On The Beach
22. Love Games
23. There Goes My First Love
24. Can I Take You Home
25. Harlem Child
26. Hello Happiness
27. Every Night’s A Saturday Night
28. You’re More Than Just A Number

 

 

 

 

Best of Summer 2003 album – 40 of the Hottest Summer Hits – Warner Music www.summer2003.net

This is one of those Summer Groove albums, compiled from the current and recent charts with a few extras and oddball items thrown in. Basically a pop dance goodtime singalong album, tracks that you will hear all over in the forthcoming mad crazy Summer. For the purist a chance to pick up on one or two missed items or those that are OK but do not justify buying the single or album, or looking at it the other way round it may entice you to buy a complete album but I doubt it.

There are quite a number of tracks on here of no relevance to this site, but others that are. An illustration of the way Black Music once again breaks through into popular culture. For example a good deal of Hip Hop. Best of which is Missy Elliott and Ludicrus with a wonderful bassline on a Fatboy Slim Remix, Run DMC and Blazin Squad. Sean Paul's Gimme the Ligt which is still mashing up and is going to be enormous, probably all the way through to Carnival. On the popular R'n'B side we have Destiny's Child from a couple of years back, and last years J-Lo. The worst being Big Brovaz of which they, although still young, have done so much better.

On a mellower vibe is the fine 3SL feat Est'Elle. And for twostep there's Mr Reds vs DJ Skribble nd Shy FX ft Kele Le Roc. Nice cut as always by Anastacia and some fun Old Skool with the currently popular Oliver Cheatham, the Jacksons perennial Can you feel it and Prince's lets go crazy. Saffron Hill's track is powerful through it's sample of the Sylvers Come Back Lover.

Including bits of many genres or sub genres of popular Dance, Hip Hop, R'n'B, a bit of Two Step, bit of Trance, bit of Old Skool through to the power of advertising and current TV Adverts, and more, there will doubtless be something to please, but indeed other tracks that really do grate, when you get to the banal holiday resort party stuff.

1. BIG BROVAZ – FAVOURITE THINGS
2. MISSY ELLIOTT, FEAT LUDAICRIS – GOSSIP FOLKS (FATBOY SLIM REMIX)
3. MR REDS V’S DJ SKRIBBLE – EVERYBODY COME ON (CAN YOU FEEL IT)
4. RUN DMC – ITS TRICKY (JACKNIFE LEE REMIX)
5. DT8, FEAT ROXANNE WILDE - DESTINATION
6. JURGEN VRIES – THE THEME
7. THE ROC PROJECT, FEAT TINA ARENA – NEVER (TIESTO REMIX)
8. UN-CUT – MIDNIGHT
9. THE STREETS – LET’S PUSH THINGS FORWARD
10. SEAN PAUL – GIMME THE LIGHT
11. DESTINY’S CHILD - BOOTYLICIOUS
12. ALL SAINTS – BOOTY CALL
13. JENNIFER LOPEZ – JENNY FROM THE BLOCK
14. SUGABABES - OVERLOAD
15. LIBERTY X – GOTTA HAVE YOUR LOVE
16. 3SL – TOUCH ME, TEASE ME
17. SHY FX, FEAT KELLY LE ROC – FEELIN U
18. JAIMESON, FEAT BLU - TRUE
19. LONYO – SUMMER OF LOVE
20. ROYKSOPP – EPLE

1. D Side - SPEECHLESS
2. BLAZIN’ SQUAD – REMINSCE
3. DANNII MINOGUE – I BEGIN TO WONDER
4. HOLLY VALANCE – TUCK YOUR SHIRT IN
5. ALEXIS STRUMM - ADDICTED
6. ANASTACIA – ONE DAY IN YOUR LIFE
7. PURE TONE – STUCK IN A GROOVE
8. SAFFRON HILL – MY LOVE IS ALWAYS
9. FUN LOVIN’ CRIMINALS - LOCO
10. OLIVER CHEATHAM – GET DOWN SATURDAY NIGHT
11. THE JACKSONS – CAN YOU FEEL IT
12. LAS KETCHUP - ASEREJE
13. WHAM! – CLUB TROPICANA
14. RICKY MARTIN – LIVIN LA VIDA LOCA
15. DEAD OR ALIVE – YOU SPIN ME AROUND (LIKE A RECORD) 7” METRO EDIT
16. PRINCE – LET’S GO CRAZY
17. BANANARAMA – CRUEL SUMMER
18. COLD CUT, FEAT LISA STANSFIELD – PEOPLE HOLD ON
19. C&C MUSIC FACTORY – THINGS THAT MAKE YOU GO MMMMM
20. BRASSY – PLAY SOME D (FROM THE NEW MOTOROLA TV AD)



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